Sayan Bose had travelled two hours from his residence in Kolkata, India, for a day of documentary pictures in Sangrampur, West Bengal. “I used to be roaming across the village, capturing the native individuals’s way of life, asking about their each day lives and jobs and struggles,” Bose says. “I received speaking to a 17-year-old referred to as Ariful Alam. He was a farmer at a big sunflower backyard. He was youthful and fun-loving, and agreed to pose within the area for me.”
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Alam wears a Chou, or Chhau, masks. “They maintain a big place in Bengal’s wealthy cultural heritage,” Bose says. “They’re utilized in a conventional folks dance, the Purulia Chhau, which narrates mythologies and folklores, and likewise as ornamental items. I selected to make use of the masks that depicts a personality named Mahisha, from Mahishasura Mardini, a 21-verse stotra from Hindu mythology.”
Within the March sunshine, the boys labored collaboratively to create the shot; Bose described his imaginative and prescient for the picture and Alam advised he carry his arms to specific the emotion of the second. “It created a putting distinction; the mix of nature, custom and tradition,” Bose says. “Mahisha is a demon, so whereas the sunflower backyard is extraordinarily lovely and crowd pleasing, we’re reminded that even lovely issues have their unfavourable facet.”
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