Having beforehand co-directed a documentary on revolutionary thinker and psychologist Frantz Fanon, Algerian film-maker Abdenour Zahzah channels this analysis into his sober fiction characteristic debut. Shot on location in black and white, the movie charts Fanon’s time as the pinnacle physician of a psychiatric ward within the Algerian metropolis of Blida. After his arrival in 1953, he would quickly revolutionise the racist and antiquated practices employed by the establishment, which segregated its French Christian sufferers from their Algerian Muslim counterparts.
Fanon’s achievements throughout his tenure are recounted in an episodic, vignette-like vogue. From incorporating inventive and athletic actions as part of remedy to implementing extra humane remedies for the Indigenous sufferers, he radically reworked the hospital. His successes, nevertheless, have been met with disapproval from a few of his white French colleagues. Zahzah explores such tensions – in addition to Fanon’s relationship with the sufferers – primarily by means of dialog; a lot of the narrative is made of dialogue or session scenes, filmed largely in shot-reverse shot fashion. Even with Alexandre Desane’s grounding presence within the lead position, the ubiquitousness of those compositions ends in stylistic monotony – a stark distinction to Fanon’s famously incendiary writing.
However what emerges from these sequences is the robust hyperlink between imperialist violence, psychological trauma and psychological sickness. Way over some other sickness, imperialism is the illness that infects the souls of these dwelling in occupied territories. An understanding of this relationship is the driving drive behind Fanon’s psychiatry apply and political exercise, the latter of which is touched on however not handled in depth right here.
Although not fairly as exhaustive as its prolonged title would counsel, this movie stays a compelling research of a hardly ever portrayed determine, and of the dehumanisation inflicted by French colonial psychiatry.
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