Deryck Whibley, singer and songwriter with platinum-selling Canadian punk-pop band Sum 41, has alleged that he was groomed and sexually abused by the band’s first supervisor.
In his new memoir Strolling Catastrophe: My Life By way of Heaven and Hell, and first reported by the Los Angeles Occasions, Whibley alleges that Greig Nori pressured him into sexual encounters over a interval of 4 years.
Nori has denied the allegations in an announcement to the Toronto Star, describing them as false.
Whibley claims he first met Nori when he was 16 and Nori was 34, with Nori – a determine Whibley revered on the Canadian punk scene – quickly changing into a mentor to Whibley after which the fledgling band’s’s supervisor.
When Whibley was 18, he alleges that Nori provided him ecstasy and kissed him, with Whibley then coerced into an undesirable sexual relationship.
Whibley alleges that Nori would verbally abuse him and accuse him of being homophobic if he tried to finish the connection. After the connection did finish, when it was found by a mutual pal who characterised it as abuse, Whibley alleges the verbal and psychological abuse continued.
Talking to the LA Occasions, Whibley characterised Nori as “such a controlling individual”, and alleges he additionally tried to distance Sum 41 band members from their dad and mom. Nori was fired because the band’s supervisor in 2005.
In 2018, Whibley gained a lawsuit towards Nori to win again songwriting credit on Sum 41’s early catalogue, which Nori had initially shared in.
Sum 41 fashioned in 1996 and signed with Island Information in 1999. Taking part in boisterous and extremely melodic pop-punk in a golden period for the model alongside the likes of Blink-182 and Inexperienced Day, they’d large success with their platinum-selling debut album All Killer No Filler, together with the hit single Fats Lip. Whibley turned a fixture within the tabloids and gossip magazines on account of his relationships with Paris Hilton and Avril Lavigne.
Sum 41’s subsequent two albums have been every licensed gold within the US, however their recognition waned as pop-punk pale from view. However they’ve just lately loved a resurgence in recognition as a brand new technology found the style, incomes an airplay hit with Landmines, the lead single from their most up-to-date album, Heaven :x: Hell.
It’s going to even be their closing launch, with Whibley telling the Guardian in February: “It’s a really unusual breakup as a result of we nonetheless love being on stage and we nonetheless love one another’s firm, however that’s why I need to go away it on that observe.”
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