If not a real oddball, Saya Grey is a minimum of a really entertaining self-stylist. A self-proclaimed “vagabond”, she has talked about having ESP and excellent pitch from beginning. The Toronto producer and vocalist’s debut album correct can’t presumably reside as much as all this bluster however it’s a totally fulfilling experience: a set of elastic, translucent songs that draw equally from quirked-up TikTok music – assume Kate Nash-style vocals, dreamy Frank Ocean manufacturing – as they do yacht rock, nation and AOR.
Most modern genre-mash music is unsatisfying as a result of it looks like the results of an lack of ability to commit; Grey’s clear, direct, idiosyncratically referenced songs don’t have that downside. Puddle (of Me) sounds a little bit like Björk protecting America; Thus Is Why (I Don’t Spring 4 Love) is a three-and-a-half minute survey of each standard sound circa 2009. There’s a universality to Grey’s lyrics – which, on Saya, are usually about heartbreak – that feels notably sturdy and comforting on a crisp, serene music like Thus Is Why.
The extra conventional songs right here – Puddle and How Lengthy Can You Maintain Up a Lie specifically – place Grey in a lineage of sharp-tongued romantics, although their impact is blunted some by self-consciously “experimental” passages, just like the percussive breakdown on Line Again 22 or the lure beats firstly of HBW and Exhaust the Matter, which really feel drawn straight from a playbook titled Bizarre, However Not Too Bizarre, Issues to Do on a Pop Album. In these moments, she feels like everybody else. However elsewhere on Saya, Grey has the makings of a real authentic.
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