Exuding glamour, spectacle and pathos, Mannequin/Actriz create a ferocious combine of commercial rock, dance-punk and pop that’s usually horny and disturbing in the identical breath. After breaking out in 2023 with debut album Dogsbody, the New York four-piece spent 2024 touring relentlessly, probably leaving each stage they performed slicked with a mix of sweat and blood. Their forthcoming follow-up file, Pirouette, is their first for British unbiased label Soiled Hit.
Lead single Cinderella is a exceptional, teeth-gnashing reintroduction to their sound: a brutalising tune about, partially, lead singer Cole Haden’s need to have a Cinderella-themed party when he was 5. That is quintessential Mannequin/Actriz, mixing manic, menacing grooves with steely-eyed flamboyance and needling openness. The band – Haden, Ruben Radlauer, Aaron Shapiro and Jack Wetmore – shaped in 2016, and it’s their sense of homosexual transgression and avowed diva worship, delivered to the band by Haden, that separates them from the scores of punk-adjacent rock acts on the rise.
Pirouette is punchier, extra prepared to sink its tooth in, than Dogsbody, and permits for moments of softness too, such because the forlorn spoken-word monitor Headlights or delicate ballad Acid Rain. It is going to nearly positively beef up an already killer dwell present, however in case you can’t catch it, Mannequin/Actriz nonetheless convey immense spectacle to their data.
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