In 2020, the English artist Ed Atkins began drawing on Put up-it notes and sticking them to his daughter’s college lunchbox. In addition to “little hellos”, they have been additionally, amid the power-down of the pandemic, “a means for me to realize one thing every single day”, says Atkins. Among the drawings are cute if a bit creepy – a smiley-faced ghost, a bell lifted to disclose a foetal human beneath – whereas others involving axes and claws may induce nightmares in adults, not to mention kids. What started as a non-public father-daughter ritual has since grow to be integral to Atkins’s observe, which makes use of video and animation to discover how the digital world impacts our sense of self. For his forthcoming present at Tate Britain, he needed the Put up-its to take centre stage – and “to be the legend on the backside of the map, to show a means of trying and accepting and feeling that may be helpful for every thing else”.
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