If Dan Bejar’s musically shifting Destroyer challenge has a trademark, it’s the artwork of shock. The Canadian is a grasp of unusual lyrical koans that transcend the singer’s acerbic tone to brim with bizarre, heat feeling, set in opposition to luxuriant preparations. To share his headspace is to see a metropolis in a special mild – how “the opera home is a jam area for the determined and insane”, as on the title monitor of Dan’s Boogie; to take satisfaction in failure: “The household curse was our signature scent,” he sings on Solar Meet Snow. “The world ran from it holding its nostril.”
This time, the protagonists of Bejar’s 14th album are feeling equally side-swiped. Sudden change strands laggards at sea. Ghosts and inclement climate creep in with out warning. Darker forces go away Bejar “sick of girls lacking / At nighttime mild that hangs / O’er the low-backed aspect streets”. On the strikingly candy spotlight Cataract Time, Bejar tenderly observes the folly of assuming that “we expect we all know / Sufficient to go on”.
Light nearer Journey Gentle waves off the “dopers and pushers” who suppose they will outrun destiny. However Bejar is dedicated to the sweetness in chaos: how “the solar largely rises / A fantastic golden spike by way of the center of the world”, as he sings on the oddly calming The Ignoramus of Love. That outlook beams by way of this attractive ruined palace of a file, one which swaggers from rococo to shambling, haunted to boisterous. It’s simply as rapturous as his 2011 breakout, Kaputt – unerring high quality being one other Destroyer trademark.
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