It was a tragedy that despatched novelist Wyl Menmuir to the “demi-island” of Cornwall, with its lengthy and sinuous shoreline. In 2011, his first baby was stillborn and he went along with his spouse all the way down to the wild north coast of the county to flee. It was winter, and chilly, and but he walked into the ocean. “And for a couple of moments the grief wasn’t silenced a lot as confronted by a wall of deafening white noise muting its fixed scream. The ocean’s nice indifference was a consolation in a approach I can’t simply clarify and it continues to play its half.”
Now, in The Draw of the Sea, Menmuir, whose 2016 Booker-longlisted novel The Many was set in a fishing village in Cornwall, has turned his deal with the place the ocean performs in Britain’s collective consciousness, the way in which we have now been formed by the waters that encompass us. He intercuts his personal story – he moved to Cornwall in 2013 and he and his household now dwell a watery existence, swimming, browsing, rockpooling and beachcombing – with a broader consideration of the lives of a motley assortment of seafarers.
The guide’s first chapter attracts on the work of the Cornish playwright Nick Darke, whose ultimate movie was a documentary charting the historical past of Cornish wreckers. Whereas, as Menmuir says, “the time period wreckers brings to thoughts false lights and ships lured on to the rocks”, there may be little proof that wrecking was ever this nefarious. Slightly, it’s the custom, largely Cornish, of scouring the seashores for objects of larger or lesser use which are introduced in by storms and the good ocean currents.
Menmuir is an inveterate beachcomber, finishing up what he calls “flotsamancy” – studying advanced histories into the objects he finds. As Darke’s widow says to him, these objects “make the entire world appear an entire lot smaller, much more linked”. He is aware of this intimately – his home was constructed of Nigerian iroko wooden that fell from a ship off Penzance.
The guide is oriented south westerly, with the chapters going down both in Cornwall or on the Isles of Scilly, 25 miles additional out into the Atlantic. It’s right here that Menmuir and his household vacation and Scilly serves as a type of dream panorama for him, one wherein he’s extra simply capable of immerse himself within the maritime world. The islands of the archipelago had been as soon as a single bigger island, Ennor, and Menmuir makes use of the reminiscence of this place to discover the legend of Lyonesse, the Arthurian Atlantis.
The Draw of the Sea is especially good on the pure world. There’s a beautiful story of the standard methodology of searching conger eels in Scilly – you droop a small boy in entrance of the outlet wherein they dwell, look forward to the eel to wrap itself round him after which pull the boy up. Elsewhere, we study that barnacles have a “fortunate dip penis” as much as eight occasions the size of their physique. They attain blindly out with their intensive members within the hope of encountering a close-by mate – of both intercourse, barnacles being hermaphroditic.
Menmuir’s novels are full of gorgeous language and this, too, is a guide that sings. He describes the sensation he will get by the ocean as akin to “what I think about the cathedral builders sought to realize after they lifted the clerestories to the sky, creating an enormous area to encourage awe and to humble, to carry the center, an area full of mild and marvel”. That mild and marvel illuminate the pages of this magical guide, a becoming tribute to the majesty and thriller of the ocean.