‘Possibly we’ll develop into a style’: Wu-Lu, the punky lo-fi hip-hop star shifting quick to transcend labels


You can hear the screaming from throughout the road. By means of the window of a Brixton skate store, two drummers are pounding away at a package on a makeshift stage. Miles Romans-Hopcraft, AKA Wu-Lu, is hunched in entrance, cradling a microphone. The veins on his neck are pulsing as he bellows, whereas a handful of individuals encompass him with their legs shaking, prepared to leap.

Once we meet in early July, Romans-Hopcraft has spent the week skating via London clutching a fistful of shiny pink stickers bearing the slogan, “The place’s Wu-Lu?” Slapping them on to lamp-posts and clean partitions, Romans-Hopcraft has been hinting on the launch of his debut album, Loggerhead, with a collection of pop-up exhibits at his favorite spots within the metropolis.

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“The screaming hits a bit of endorphin button,” he says after we meet throughout a skating break at his south London studio. “Earlier than I do exhibits with the band, we huddle up and I simply scream of their faces to get us overrated as a result of, after we’re on stage, we’re giving every little thing we bought. It’s for us as a lot as it’s for the viewers – we’re letting every little thing out that’s pent up, and we even have an empty mic there for folks to stand up and categorical themselves, too.” He pauses. “Nobody’s completed it but although.”

Romans-Hopcraft was indoctrinated into the fun of dwell music from an early age: alongside his twin brother, Ben, he guested in his trumpeter father’s reggae-fusion band Soothsayers as a preteen. By 15, he was making his personal beats on a drum machine and sampling from the data that his mom, a up to date dancer, would convey house from her job on the charity Youth Music. Over the subsequent decade, Romans-Hopcraft would educate himself manufacturing expertise, leading to a dubstep challenge beneath the identify TJ Mileage and an atmospheric hip-hop collaboration with producer Hector Plimmer as Monster Playground. Lastly he landed on the solo moniker Wu-Lu, tailored from the Amharic phrase for water (“wuha”).

As Wu-Lu, Romans-Hopcraft has defied genres. He produced breezy lo-fi beats on his self-released 2015 debut Ginga, earlier than foregrounding a grittier, guitar-led sound on 2018’s Habesha, and discovering his breakthrough with the blazing, punk-fuelled anti-gentrification anthem South in 2021. Launched with an lively video that featured Romans-Hopcraft and his band becoming a member of Black Lives Matter protests in Brixton, the music turned a paean to the quickly altering space the place the 32-year-old has spent his life. “I used to dwell in south London / There’s not a lot of it left,” he sings in a guttural baritone earlier than that rasping scream erupts, expressing anguish and launch in equal measure.

“Brixton is a spot that I by no means actually realised meant a lot to me till it began altering,” he says. “You are taking it with no consideration however now it feels just like the group is being turned from sugar cane into white sugar – all of the vitamins and pleasure are being refined out of it into one thing that’s unhealthy.”

As a young person, Romans-Hopcraft discovered his group in an area skatepark. “I’d hang around with lots of older guys they usually took me beneath their wing,” he says. “They’d an ‘I don’t give a shit’ angle however they might at all times look out for the children. It was like a household they usually taught me it was vital to pursue what gave you pleasure, it doesn’t matter what different folks assume.”

He took on that angle of his skatepark elders after enrolling at Brixton music and media college Uncooked Materials. Romans-Hopcraft finally turned a tutor, educating manufacturing whereas he used its studios to put in writing his personal tracks. “They gave me time and house to develop my craft, which is so laborious to come back by now with arts funding lower in all places,” he says. “It actually taught me the significance of giving again to the youthful generations. If we don’t combat for them, every little thing now we have might be uprooted.”

After leaving Uncooked Materials, he went on to work at Alford Home youth membership, in close by Kennington, encouraging musical kids to develop inventive independence. “In case you actually wish to do one thing, you are able to do it your self – you don’t want to attend for a label to signal you,” he says. “I’m residing proof of that.”

It’s an ethos that he utilized to the creation of Loggerhead when Covid first struck in 2020. Hanging out at some point in a pal’s empty pub, he determined the cavernous house can be good to document in. Just a few days later, he had employed a mixing desk and invited his band right down to jam. “We performed via the evening till 7am and got here up with the riff for the only Damaged Properties,” he says. “The subsequent day I made a decision: we’re making an album. I’m gonna spend all my cash and see what occurs.”

The noise complaints quickly arrived, and the group have been kicked out. Nonetheless, Romans-Hopcraft scoured his south London contacts and located one other house considered one of them had arrange farther afield – in Norway. Just a few flights, one month and 40 demos later, he had the bones of Loggerhead. Whittled down to only 12 tracks, the completed album is a powerhouse of unvarnished self-expression, veering from the comfortable melancholy of Calo Paste to the indignant anger of Occasions, that includes rapper Lex Amor and singers Greentea Peng and Léa Sen.

“This can be a document about being alone in your head,” Romans-Hopcraft says. “It has a punk ethos however I don’t know what style to name it. It’s only a diary of how I’ve been feeling; perhaps the identify Wu-Lu will develop into a style in itself.”

The genre-splicing nature of Romans-Hopcraft’s sound enticed document labels, and he finally signed with Warp. “I did it at this level in my profession as a result of I can take us all together with me now – my band and even my 14-year-old brother,” he laughs. “Simply as my dad bought me and Ben on stage after we have been children, I bought him up and crowdsurfing at Glastonbury [where Wu-Lu performed on the William’s Green stage]. That’s what it’s all about.”

Certainly, that Glastonbury present was a household affair. It featured brother Ben – later Childhood frontman and one half of the duo Insecure Males – on bass and their mom within the crowd. “That was truly the primary time my mum has seen me play as Wu-Lu,” he says, smiling. “She was so proud backstage, telling everybody: ‘That’s my boy.’ She at all times advised us children that we are able to obtain no matter we decide to, and that’s why I simply go along with my coronary heart. It’s gotten me this far – let’s see the place we get to subsequent.”

Loggerhead is out now. Wu-Lu performs Village Underground, London, on 8 September.

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