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On the day he took this picture, French photographer Michel Kharoubi was on his approach to go to his father in a medical retirement dwelling. This was shot in Les Olympiades, within the thirteenth arrondissement of Paris, however Kharoubi notes that the particular location shouldn’t be essential to him.
“I don’t practise reasonable or documentary avenue pictures, however attempt to seize iconic city pictures,” he says. “I positioned myself in opposition to a wall and waited for the proper characters to move by.”
Kharoubi provides that the {photograph} feels to him like an city opera. “Town is a set, and passersby are each protagonists and extras,” he says. “The composition is crucial, as a result of it is this fragment of actuality that would be the foundation of the picture. Then, in post-production, I select what I spotlight and dramatise, like a director.”
Whereas Kharoubi believes {that a} {photograph} should appeal to the attention, maybe even intrigue or reveal one thing concerning the world, he insists that the gadget used to take it is secondary. “Whether or not it’s a smartphone or in any other case, that is solely a software within the course of. The essential factor is our view of the world and the story we inform.”
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