I by no means encountered a Somali character in books rising up – I needed to change that | Ayaan Mohamud

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I by no means encountered a Somali character in books rising up – I needed to change that | Ayaan Mohamud

As a young person within the British Somali diaspora, there have been a number of issues I heard repeated in reference to my very own tradition. In no explicit order, there was: drought, Black Hawk Down, excessive foreheads, piracy, famine, the peculiarity of banana and rice, terrorism, and the “take a look at me, I’m the Captain now” meme. Unsurprisingly, it didn’t at all times really feel “cool” to be Somali.

When this sense was coupled with the age-old query of who Somalis are, I discovered it laborious to carve out my very own sense of id. Torn between the nation’s bodily location on the Horn of Africa, our ethnic homogeneity, and Somalia’s membership of the League of Arab States, it usually felt as if I used to be being pulled in 1,000,000 totally different instructions. Was I Black, east African, Arab or just … Somali? And the way did my id as a Muslim match on to those racialised traces?

None of this was helped by the dearth of genuine illustration of Somalis in literature. As a baby, I used to be a voracious reader. I devoured books by authors like Meg Cabot, Anthony Horowitz, and Jenny Nimmo. As I acquired somewhat older, I set my sights on Jane Austen, Cassandra Clare and John Inexperienced. With hindsight, I’m wondering why I by no means stumbled throughout books with a various forged of characters, and really feel saddened that I by no means even stopped to query their absence.

My first reminiscence of studying a e book that includes a Black character was Malorie Blackman’s Noughts and Crosses. Years later, after I began my English literature AS-level course, the floodgates that I hadn’t recognized existed lastly opened. I learn Maya Angelou and Toni Morrison. I learn Mohsin Hamid. I learn all of it and beloved it.

All through these years and those that adopted, I turned conscious about what I learn – of the phrases and the characters on the web page – and the occasional emotions of dissociation in doing so. I’ve beloved seeing fragments of myself mirrored in print, by the varied takes on the Black British expertise or the expertise of being Muslim informed by the lens of a South Asian or Center Japanese character. However it wasn’t till three or 4 years in the past that I realised the expertise nonetheless felt incomplete.

This turned clear after I found and skim Black Mamba Boy, by Booker prize-shortlisted creator Nadifa Mohamed; clarified after I got here throughout Warsan Shire’s brilliantly haunting poetry in her debut pamphlet, Instructing My Mom How To Give Beginning. Right here, lastly, have been the British-Somali voices I didn’t know existed. Right here have been the tales that I didn’t know I wanted. I discovered my individuals within the heart-wrenching phrases of Shire’s Conversations About House, giving voice to the anguish of Somali refugees, and in Mohamed’s exploration of a colonised Twentieth-century Somalia, informed by the lens of a boy looking for himself in an unforgiving world. The consolation these tales gave me, the enjoyment in feeling seen – of being seen – was one of many biggest items I’ve ever acquired. And, in these moments, I felt that the void should have effectively and actually been crammed with the magic I had discovered. What else may I presumably need or want?

The tragic story of Shukri Abdi stopped me in my tracks. Her loss of life stayed with me, and for a lot of the UK Somali group, for a very long time. The devastating circumstances of her loss of life and the police dealing with of the incident left me dazed, considering her story time and time once more. What should it have been like for a younger Somali refugee to return to this nation? To face ridicule for being totally different, whereas struggling to combine right into a society so international from the one that they had recognized?

My debut Younger Grownup e book, You Assume You Know Me, was born of these ideas, and I realised what had been lacking was voices for youngsters. Accessible narratives of drama, journey, heartache, legend, pleasure, drama, fantasy, that includes Somali characters.

Teenagers and youthful readers must see themselves mirrored on a web page to counteract the damaging perceptions that hound the Somali group. How else will they be capable of clearly see themselves inside their kaleidoscopic id? My story has a forged of unapologetic Somali characters who worth each side of who they’re. They’re refugees, Muslim, Black, and they’re pleased with it. They communicate English, Somali and Arabic. They eat the meals of their homeland and put on their conventional garments. They use the proverbs of their individuals to information themselves and one another. They’ve left house however they carry house with them, in every little thing that they do.

I’m pleased with You Assume You Know Me including to the rising discourse round cultural illustration, and there are others paving the way in which too. Somali Sideways, a global platform devoted to subverting damaging perceptions by photographing and documenting the lives of Somalis, is doing distinctive work to this finish. The annual Somali Week competition has additionally made big progress in dismantling the damaging “single story” of Somalis.

Here’s what I hope the subsequent technology of Somali kids will hear and internalise: that we’re many issues, that we come from an exquisite however struggling homeland, that we’re descendants of poets and nomads – however most significantly, that we could be something we wish to be.


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