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Franka Potente: How we made Run Lola Run


Franka Potente, performed Lola

I used to be in New York capturing a few movies after I received this script referred to as Lola Rennt (Lola Runs). I learn it and thought: “That is cool – however sort of bizarre, too.” I flew again to Berlin, met the writer-director Tom Tykwer, and realised the vitality I had felt on the web page got here from him.

The movie required me to dash throughout Berlin in a pair of Dr Martens. I’ve to get 100,000 Deutschmarks to my boyfriend Manni in 20 minutes, or he can be killed. We had been capturing in August and the crew informed me: “Once we don’t see your ft, you may put on sneakers.” Nevertheless, their footfall sounded totally different, so I simply ran in boots on a regular basis. I didn’t prepare – I in all probability smoked two packs a day again then – however I used to be younger. And we wished Lola to appear like an actual individual, not an athlete. I’m not a runner. By no means was. By no means can be.

The one a part of the shoot that frightened me was the place I’m working in direction of a shifting truck with my eyes closed. A rope was lashed round me, supposedly for security. By the point Tom and I made our subsequent movie, The Princess and the Warrior, we had been in a relationship. Perhaps that’s why he felt snug going additional – risking me being run over by a truck, and throwing myself off a roof.

I had no thought the movie would turn out to be so iconic. I solely came upon just lately it’s even referenced by Bon Jovi of their It’s My Life video. We knew we’d made a film that was cool, however we simply thought it could be one thing for a cutting-edge satellite tv for pc channel. We didn’t assume it could have common enchantment.

I’ve drowned in The Bourne Supremacy and I’ve been lobotomised in American Horror Story, however watching myself being shot in Run Lola Run beats these. It’s one of many nice perks of being an actor, although my dad didn’t benefit from the scene in any respect. I used to be just lately bullied into displaying the movie to my daughters, who’re seven and 9. They beloved it, however had been upset there wasn’t extra blood when the explosive taped to mum’s chest goes off.

The second I realised the movie was a success was on the Munich Filmfest. They confirmed it because the shock midnight characteristic. The viewers had been tremendous jacked-up from the earlier movie, Trainspotting, and when Lola ended, 800 folks roared like they had been at a soccer sport. I went from goosebumps to crying. I’ll always remember that feeling.

Tom as soon as stated any sequel would comply with the bum who Manni palms his pistol to on the finish of the movie. I’d undoubtedly be up for a cameo, however I wouldn’t be working. It’s a special world at the moment. I’d take an Uber.

Not minimize out for all times as a mafia bagman … Moritz Bleibtreu and Franka Potente. {Photograph}: Allstar/Warner Dwelling Video/X-Filme

Moritz Bleibtreu, performed Manni

I received the script simply because the German movie trade was attempting to interrupt away from its very severe, neo-realistic picture, and the 2 Germanys had been coming collectively after reunification. Tom Tykwer was a part of the X-Filme collective and appeared to know every little thing about making motion pictures. He broke down numerous boundaries. I come from a protracted line of theatre actors, however my household beloved all of Lola’s nods to Hitchcock’s Vertigo: the spirals, the animation sequences, the portrait of Kim Novak within the on line casino scene. In actual fact, Lola marked the beginning of my mum’s second profession as a film actor: she performs the blind woman who lends me her telephone card.

Tom threw every little thing into the pot: capturing on video, in black-and-white and anime. I’ve seen numerous movies that reference ours. The shoot was actually cool. Tom is an enormous soccer fan and, in addition to starting the film with a quote from coach Sepp Herberger referencing West Germany’s 1954 World Cup win, we received to play between takes on the road nook the place I rob the grocery store. My character Manni rapidly finds out he isn’t made for all times as a mafia bagman, although.

For me, that’s the genius of Lola: it’s a feminist story. Nineties motion motion pictures had been concerning the cool man with a deep voice who saves the woman. This was one of many first options the place you had a lady – an everyday girl, not a 6ft Amazonian with diamond triceps – who’s simply working to assist her boyfriend. And she or he’s received pink hair!



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