The TV, movie and theatre actress appeared in Carry On Trainer and Carry On Nurse within the Nineteen Fifties.
Different display classics embrace Blue Homicide At St Trinian’s the place she performed a schoolgirl in 1957, and many years later she was a instructor in The Wildcats Of St Trinian’s in 1980.
Extra lately she appeared in Friday Night time Dinner because the character often called “Horrible Grandma”.
Her household mentioned in a press release that the actress died on Saturday.
“It’s with big disappointment that the household of Rosalind Knight announce her demise following an excellent profession as a well-loved actress in theatre, TV and movie,” they mentioned.
“She was identified to so many generations, for thus many various roles, and can be missed as a lot by the youngsters at the moment who howl at Horrible Grandma in Friday Night time Dinner as by these of us who’re sufficiently old to recollect her within the very first Carry On movies.”
The actress additionally had the final phrase within the well-known 1980 Cockburn’s Particular Reserve Port advert – “Did anybody convey the petits fours?”
She made her identify reverse Vanessa Redgrave within the 1961 Royal Shakespeare Firm manufacturing of As You Like It.
Movie appearances embrace Tom Jones, Begin The Revolution With out Me (reverse Gene Wilder), The Girl Vanishes, Prick Up Your Ears, About A Boy (with Hugh Grant), and The Girl In The Van.
She additionally starred as retired prostitute Beryl in TV collection Gimme, Gimme, Gimme, with Kathy Burke and James Dreyfus.
Her daughters, theatre director Marianne Elliott and actress Susannah Elliott, mentioned she could be remembered for her “immense spirit and sense of enjoyable, and her utter individuality.”
They mentioned: “Our mom had probably the most astute, vibrant character and made individuals chuckle wherever she went.
“She was an excellent reader, artwork lover and raconteur. She contributed in a voluntary approach to the theatrical world by her involvement within the constructing of the Royal Change Theatre, alongside her husband Michael Elliott, and her assist for the Actors Centre and the Girls’ Theatrical Guild.
“She was an lively member of her native historical past society and opera society, and was a fierce campaigner and fundraiser for the Hogarth Belief.
“She can be drastically missed by all who knew her”.